런웨이브 원터치 자동텐트

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 반영됨 촬영팀 register 로 바뀌었습니다 — 폰 셀카 톤이 아니라 연출 촬영으로 조립됐습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal cinematic commercial footage — shot by a camera crew, not by the person on screen: composed and deliberate framing, production-grade lighting and colour, stable professional camera support, one continuous move. No selfie framing, no arm's-length phone shots, no hand-held micro-shake. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: A Korean man in his late 20s, casual outdoor camping attire, friendly and relaxed demeanor. 100% match.
@Image2 — the product: 오렌지·그린·블루 컬러의 돔형 원터치 텐트, 전면 지퍼 도어, 상단 환기창. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up: same person as @Image1, for facial consistency.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only (face). No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 130 cm tall and 210 cm wide at the base — roughly one and a half times the span of an open adult hand held wide, big enough to sit inside. It must never look larger than a doorway.

LOCATION:
an open grassy campsite clearing at a trail-side camping ground, with a dirt path, scattered trees, and open sky visible in the background, no other branded gear in view.

FIRST FRAME:
0.0s — Three drone shots in sequence: an opening aerial rising high above the campsite to reveal the whole camping ground below, a middle orbiting drone shot circling around the tent at a steady altitude, and a closing shot of the drone descending and moving in toward the person standing by the tent., arm's length, the person already crouched beside the tent with both hands resting lightly on its folded bundle form, not yet released, mid-complaint before the shot even settles.

ACTION TIMING:
0–3s — Selfie framing, arm's length. He's mid-complaint about the small annoyance, sighing, a little frazzled, no greeting, straight into it. Shot as: Three drone shots in sequence: an opening aerial rising high above the campsite to reveal the whole camping ground below, a middle orbiting drone shot circling around the tent at a steady altitude, and a closing shot of the drone descending and moving in toward the person standing by the tent.
3–5s — He reaches off-frame and brings the product up into the shot with one hand, turning it once so the front face reads clearly, introducing it as the fix.
5–8s — Camera holds tight on the product as he performs its one control: using both hands to pull the folded bundle open and release its locking strap, letting go with both hands as the pre-attached poles spring the shell outward on their own and the dome shell springing fully open and settling into shape, then unzipping the front zipper door with one hand and pulling the mesh vent flap open at the top with the other. It works on the first try, camera staying on it rather than cutting away.
8–12s — Back to selfie framing. His shoulders drop, he laughs at how simple it was. the tent visibly snaps from a flat folded bundle into a full standing dome within a couple of seconds, then he steps inside and sits down right away on the spot where he unfolded it. He holds the product up beside his face, still slightly out of breath.
12–15s — Bright, quick recommendation lands straight into the lens, product still in frame beside his face. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "와, 캠핑장 도착하자마자 이거 한번 펴봤거든요."
3–5s — "혼자서 진짜 삼십 초 만에 다 펴졌어요."
5–8s — "지퍼 도어에 환기창까지 있어서 안이 시원하네요."
8–12s — "텐트 치느라 진 빠질 시간에 저는 벌써 앉아서 쉬고 있어요."
12–15s — "이거 하나면 캠핑 시작이 완전 편해지네요."

PERFORMANCE:
LINE_1 — wants to share sudden delight, eyes widen slightly as he looks toward the tent, a quick exhale of surprise before speaking
LINE_2 — wants the listener to register the speed as real, taps his wrist or gestures a flat hand toward the tent, slight incredulous headshake
LINE_3 — wants to show off a detail, half-turns and points at the door and vent with an open palm, satisfied nod
LINE_4 — wants to needle the listener's own past struggle, corner-of-mouth smirk, settles his shoulders back as if already relaxed
LINE_5 — wants to leave a clean verdict, calm confident nod, easy smile, voice settling lower and slower
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Dome-shaped shell in orange, green and blue panels, ripstop fabric stretched over flexible pre-attached poles.
- The fabric flexes and springs outward in one continuous motion when the pole tension releases, settling into a taut dome shape.
- The front zipper door runs smoothly along its track; the top vent flap is soft mesh that sits loose, moving slightly with air.
- NEVER: the tent must never fold, collapse, or pack itself back down on screen — it only ever springs open and stays open.
- Scale is fixed: about 130 cm tall and 210 cm wide at the base — roughly one and a half times the span of an open adult hand held wide, big enough to sit inside. It must never look larger than a doorway. No framing, however close, ever makes it read bigger than that.

AUDIO:
No music. Just open-air ambience — light wind through nearby trees, distant birdsong, the snap and rustle of the tent fabric and poles springing into shape, the zipper's soft ratchet as the door opens, and his voice as the loudest sound throughout.

LOCKS:
① Exactly one product: one unit only, brought into frame once from off-frame at 3–5s. It is never handed over, unboxed, revealed as packaging or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and named props are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the complaint and the recommendation; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Three drone shots in sequence: an opening aerial rising high above the campsite to reveal the whole camping ground below, a middle orbiting drone shot circling around the tent at a steady altitude, and a closing shot of the drone descending and moving in toward the person standing by the tent. This applies to the opening of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
a folded strap loosely coiled on the grass beside the tent