순이의신발장 여성 런닝화

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 반영됨 촬영팀 register 로 바뀌었습니다 — 폰 셀카 톤이 아니라 연출 촬영으로 조립됐습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal cinematic commercial footage — shot by a camera crew, not by the person on screen: composed and deliberate framing, production-grade lighting and colour, stable professional camera support, one continuous move. No selfie framing, no arm's-length phone shots, no hand-held micro-shake. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, athletic build, natural everyday look, friendly and energetic expression. 100% match.
@Image2 — the product: 블루/그레이 메쉬 소재, 흰색 두꺼운 밑창, 혀 부분에 핑크 포인트와 'McAN' 로고. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for identity consistency only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 27 cm long and 10 cm wide at the widest point of the sole — roughly one and a half times the length of an open adult hand set heel to toe. It must never look larger than her forearm.

LOCATION:
an open park running trail with mown grass lawns, scattered trees, and a paved path curving into the distance under open sky.

FIRST FRAME:
0.0s — Open with a wide aerial shot rising over the entire park until its paths and lawns are visible below, then cut to a drone flying alongside her at running height to track her stride from the side, and close on an overhead drone shot looking straight down as she runs beneath it., the person already already laced onto her feet, standing on the paved trail, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–2.5s — Selfie framing, the person holds the product up to the lens with both hands, no separate control to operate — the shoes are already worn, laces already tied, both feet flat on the ground before she pushes off into a run Shot as: Open with a wide aerial shot rising over the entire park until its paths and lawns are visible below, then cut to a drone flying alongside her at running height to track her stride from the side, and close on an overhead drone shot looking straight down as she runs beneath it.
2.5–4s — Her hand sweeps across the lens; when it clears she is already wearing the product, cut hidden inside the sweep.
4–6.5s — She stands back into a wider frame, steps once toward camera, then shifts her weight onto one foot, revealing the thick white sole of each shoe striking the paved trail and rolling smoothly through toe-off as she runs
6.5–9s — The camera drops to her feet as she turns them side to side, weight shifting, proving the fit in an open park running trail with mown grass lawns, scattered trees, and a paved path curving into the distance under open sky..
9–11s — Tight close-up on her stride stays smooth and even with no hitch or wince as her feet land, and she keeps running at a steady relaxed pace without slowing to favor either foot, held steady before pulling back.
11–15s — She steps back up into a centred standing pose, one foot slightly forward, the product held in frame as her hero pose. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2.5s — "십 킬로미터, 진짜 다 뛰었거든요."
2.5–6.5s — "근데 발바닥이 하나도 안 아파요, 이거 신고서요."
6.5–9s — "발밑이 뭐에 닿는지도 모르게 편해요."
9–15s — "달리기 힘든 분들, 이 신발 한번 신어보세요."

PERFORMANCE:
LINE_1 — she wants the listener to feel her own disbelief at the distance covered; slight breathless laugh, eyes wide, chest still rising from the run.
LINE_2 — she wants to hand over the real surprise; she glances down at the shoe then back up, tapping her hand near her foot as if pointing it out to the listener.
LINE_3 — she wants the listener to feel how light it is; a small shrug, brows raised, voice dropping softer as if sharing something confidential.
LINE_4 — she wants to leave the listener with a nudge to act; she points toward the camera, warm and direct, a small confident nod on the last word.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Upper is blue/gray woven mesh, flexing and stretching slightly with each footstrike.
- Thick white midsole compresses a little on impact and springs back as the foot rolls forward.
- Pink tongue tab and 'McAN' logo stay flat and rigid, catching light but never wrinkling like the mesh.
- NEVER: the thick white sole never looks flat or hard against the ground — it must never fail to visibly cushion each landing.
- Scale is fixed: about 27 cm long and 10 cm wide at the widest point of the sole — roughly one and a half times the length of an open adult hand set heel to toe. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just steady footfalls on pavement, the soft rhythmic compression of the thick soles with each landing, her breathing and light panting between lines, a breeze moving through nearby leaves, and distant ambient park sounds like birds or far-off voices under the dialogue.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed as a duplicate, or multiplied — the worn pair on camera is the same single unit shown in hand at 0s.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the hand-held intro and the closing hero pose; eyes drop to the product only during the rotation, the wear reveal and the foot-turn close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Open with a wide aerial shot rising over the entire park until its paths and lawns are visible below, then cut to a drone flying alongside her at running height to track her stride from the side, and close on an overhead drone shot looking straight down as she runs beneath it. This applies to the opening of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
none