드리미 MF10 날개없는 타워선풍기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 다각도 연출인데 프롬프트는 폰 촬영 register 그대로입니다 — 정규식이 이 표현을 못 잡았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, natural everyday look, calm and friendly demeanor, casual comfortable homewear. 100% match.
@Image2 — the product: 슬림한 원통형 타워형 바디, 메탈릭 실버와 블랙 톤, 날개 없는 디자인, 미니멀하고 모던한 실내 가전 느낌. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 100 cm tall and 20 cm across at the base — roughly the height from an adult's waist to head, several times the width of an open hand. It must never look larger than a doorway.

LOCATION:
a cozy bedroom at night with rumpled bedding, soft pillows, and warm low window light, the tower fan standing on the floor beside the bed.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already standing upright on the floor beside the bed, untouched, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: crouching down and pressing the single button on the base control ring with one finger, her hand resting briefly on the smooth metallic top before drawing back
8–11s — The camera pushes in on the product as the narrow bladeless vent near the top releasing a steady stream of air across the room toward the bed where she is sitting so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. she leans her head close to the vent and the airflow keeps blowing steadily while almost no sound is audible, her hair moving gently in the stream She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 켜놓고 자도 되나 반신반의했거든요."
3–8s — "근데 바람 세기는 그대로인데 소리가 진짜 거의 안 들려요."
8–11s — "귀 대봐도 그냥 조용한 바람 소리뿐이에요."
11–15s — "이 정도면 밤새 켜놓고 자도 되겠어요."

PERFORMANCE:
LINE_1 — she wants to voice a genuine doubt she had before trying it; slight skeptical head-tilt, eyebrows raised, a small exhale before speaking.
LINE_2 — she wants to hand the listener the surprising discovery; she gestures toward the fan with an open palm, leaning slightly toward the lens.
LINE_3 — she wants to prove the claim with her own body; she leans her head close to the fan, listening, then looks back with a soft, convinced smile.
LINE_4 — she wants to leave the listener with the verdict; she settles back against the pillows, relaxed, a satisfied half-smile, voice dropping softer.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Slim cylindrical tower body, brushed metallic silver and black plastic-and-metal shell, no external blades visible.
- Air pushes out through a narrow internal slit near the top in a steady, bladeless stream, the body itself staying rigid and still.
- Surface stays cool and hard to the touch; only the base control ring or button clicks under a finger press.
- NEVER: no spinning blades ever appear inside or around the tower, and the housing never flexes or wobbles from the airflow.
- Scale is fixed: about 100 cm tall and 20 cm across at the base — roughly the height from an adult's waist to head, several times the width of an open hand. It must never look larger than a doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet bedroom at night, the faint rustle of bedding as she shifts, her finger softly clicking the fan's base button, and her spoken lines carrying clearly over near-total silence from the fan itself.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
The camera cuts between a straight-on frontal shot, a side profile shot, a slightly elevated top-down angle, and a tight close-up on the fan's body, cycling through these framings as distinct cuts within the same room. This applies to the whole clip and supersedes the register above wherever the two disagree.

PROPS:
a pillow