한경희 파워슬림 무선청소기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 반영됨 촬영팀 register 로 바뀌었습니다 — 폰 셀카 톤이 아니라 연출 촬영으로 조립됐습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal cinematic commercial footage — shot by a camera crew, not by the person on screen: composed and deliberate framing, production-grade lighting and colour, stable professional camera support, one continuous move. No selfie framing, no arm's-length phone shots, no hand-held micro-shake. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s to early 30s, based on the provided reference images, natural everyday styling, friendly and approachable demeanor. 100% match.
@Image2 — the product: 화이트/블랙 톤의 슬림한 원통형 무선청소기 본체, 충전 거치대 함께 배치, HAAN 브랜드 로고. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for facial consistency.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only (face). No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 27 cm tall and 9 cm across for the main body, standing with its charging dock about 24 cm tall — roughly one and a half times the length of an adult palm, sitting upright in one hand or resting in its dock. It must never look larger than her forearm.

LOCATION:
a tidy home kitchen with a clean counter, a few simple dishes and a mug nearby, soft daylight coming through a nearby window onto the tile floor.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling the slim cylindrical body upright with one hand near its middle, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the vacuum body steady in one hand and pressing the single power switch near the handle with a thumb, then guiding the body down into the charging dock with both hands until it clicks into place, the dust bin staying attached to the unit throughout
8–11s — The camera pushes in on the product as the vacuum's floor nozzle is pressed lightly against the kitchen tile, sweeping over a small patch of visible crumbs and dust as the switch is engaged so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. after docking the unit into its stand, a faint chute-like sound plays and the dust bin at the base visibly empties out on its own, leaving the bin chamber clear without her touching it She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 먼지통, 손으로 안 비워봤어요."
3–8s — "거치대에 꽂으면 먼지가 자동으로 빨려 들어가요."
8–11s — "손에 먼지 하나 안 묻고 끝나요."
11–15s — "이러면 청소 미룰 이유가 없죠."

PERFORMANCE:
LINE_1 — 놀라움을 담아 살짝 눈썹을 올리며, 먼지통 쪽을 가볍게 가리키는 손짓과 함께 말한다.
LINE_2 — 방금 본 걸 그대로 전하듯, 거치대에 꽂는 손동작을 시선으로 따라가며 담백하게 말한다.
LINE_3 — 손바닥을 카메라 쪽으로 살짝 펴 보이며, 깨끗함을 확인시키듯 가볍게 웃는다.
LINE_4 — 짧게 숨을 내쉬고 만족스러운 표정으로 마무리하듯 말한다.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The body is a rigid molded plastic cylinder in white and black, with a clear dust bin section near its base and a soft rubberized grip on the handle.
- It stays rigid and does not bend, flex or compress when held, docked or set down.
- The motor produces a steady mechanical whir while running and a brief, muted rush of air when the bin empties into the dock.
- NEVER: no liquid, spray or wet residue ever comes out of the unit or the dock — everything it moves is dry dust and debris.
- Scale is fixed: about 27 cm tall and 9 cm across for the main body, standing with its charging dock about 24 cm tall — roughly one and a half times the length of an adult palm, sitting upright in one hand or resting in its dock. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet home kitchen, the soft whir of the vacuum motor while it runs across the tile, a light click as it seats into the charging dock, a brief soft rush of air as the bin empties on its own, and her voice staying the loudest element throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Indoors, four camera angles cut between one another in turn — a straight-on full shot, a low angle from the floor, a close-up on her hands, and a high overhead angle — cycling through all four across the clip so the same action is seen from each in sequence. This applies to the whole clip and supersedes the register above wherever the two disagree.

PROPS:
a few scattered crumbs and light dust on the kitchen tile