블랙앤데커 드립 커피머신

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 다각도 연출인데 프롬프트는 폰 촬영 register 그대로입니다 — 정규식이 이 표현을 못 잡았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s to early 30s, casual everyday look, friendly and relaxed demeanor. 100% match.
@Image2 — the product: 블랙 바디, 투명 유리 포트, 블랙 손잡이, 전면에 BLACK+DECKER 로고. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 33 cm tall and 20 cm wide, with a 1.2 liter glass carafe — roughly one and a half times the height of an open hand held upright, sitting on the counter within easy arm's reach. It must never look larger than her torso.

LOCATION:
a tidy home kitchen counter by a window, with simple dishes stacked nearby and morning daylight falling across the countertop.

FIRST FRAME:
0.0s — A wide establishing shot reveals the whole kitchen first, then the camera pushes in to a front-on view of the coffee machine as it brews, cuts to a macro close-up of coffee dripping into the glass carafe, and finishes on a close-up of her face as she drinks., the person centred at medium distance, already standing beside the machine with one hand resting lightly on the counter near its base, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: A wide establishing shot reveals the whole kitchen first, then the camera pushes in to a front-on view of the coffee machine as it brews, cuts to a macro close-up of coffee dripping into the glass carafe, and finishes on a close-up of her face as she drinks.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching out with one hand and pressing the single black button on the machine's front panel, her hand pulling back afterward while the machine stays running on its own
8–11s — The camera pushes in on the product as the machine's spout releasing a steady stream of coffee down into the glass carafe positioned directly beneath it so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the glass carafe visibly filling with coffee in real time while she is still mid-routine, showing the brew finishing well before she'd normally be ready She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "아침마다 이거 하나로 진짜 십 분은 벌어요."
3–8s — "버튼만 누르면 알아서 다 되니까, 씻는 사이에 커피가 다 내려져 있어요."
8–11s — "어, 벌써 다 됐다고?"
11–15s — "출근 준비 빠듯한 분들한텐 이거 진짜 답이에요."

PERFORMANCE:
LINE_1 — she wants to state a genuine time-saving discovery; delivered with a quick, confident nod while glancing at the machine, casual and matter-of-fact.
LINE_2 — she wants to walk the listener through how effortless it is; relaxed shoulders, a light gesture toward the machine as she talks, unhurried.
LINE_3 — she wants to show real surprise at the speed; eyebrows lift, a small startled laugh, eyes widen slightly at the carafe.
LINE_4 — she wants to leave the listener with a clear takeaway; a warm, settled smile, slight tilt of the head toward camera-adjacent space.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The body is solid molded plastic with a matte black finish; it does not flex, bend or dent when touched.
- The glass carafe is clear and rigid, showing coffee visibly rising inside it as it fills, with faint steam near the spout.
- The drip stream is a thin, steady, continuous trickle of dark liquid, never a splash or a pour in reverse.
- NEVER: coffee never drips upward into the machine or appears in the carafe before the brew cycle starts.
- Scale is fixed: about 33 cm tall and 20 cm wide, with a 1.2 liter glass carafe — roughly one and a half times the height of an open hand held upright, sitting on the counter within easy arm's reach. It must never look larger than her torso.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet morning kitchen, the soft click of the machine's button, the steady trickle of coffee dripping into the glass carafe, faint ambient birdsong or street sound through the window, and her spoken lines carrying clearly over all of it.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
A wide establishing shot reveals the whole kitchen first, then the camera pushes in to a front-on view of the coffee machine as it brews, cuts to a macro close-up of coffee dripping into the glass carafe, and finishes on a close-up of her face as she drinks. This applies to the opening of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
a stack of simple dishes on the counter